Altman, Rick. “A Semantic/Syntactic Approach to Film Genre.” Cinema Journal vol. 23, no. 3, Spring 1984, pp. 6–18.
Friedman, Lyle et al. “Hollywood’s Gender Divide and its Effect on Films: Examining the Gender of Writers, Producers, and Directors Who Make Films that Failed the Bechdel Test.” The Pudding, pudding.cool/2017/03/bechdel. Accessed March 27 2018.
Gibson, Marion. “‘We Will Not Fly Silently into the Night’” and “Witches in the Family: Comedy, Drama, and the Acceptance of American Witches.” Witchcraft: Myths in American Culture. Routledge, 2007, pp. 170-223.
Grindon, Leger. “Cycles and Clusters: The Shape of Film Genre History.” Film Genre Reader IV, edited by Keith Barry Grant, U Texas P, 2012, pp. 42–59.
Heftberger, Adelheid. “Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualization.” Understanding Digital Humanities, edited by David M. Berry, Palgrave Macmillan, 2012, pp. 210-223.
Hutton, Ronald. “The Global Contexts.” The Witch: A History of Fear from Ancient Times to the Present. Yale UP, 2017, pp. 3-43.
Hoyt, Eric, et al. “Visualizing and Analyzing the Hollywood Screenplay with ScripThreads,” DHQ: Digital Humanities Quarterly, vol. 8, no. 4, 2014, www.digitalhumanities.org/dhq/vol/8/4/000190/000190.html.
“ImagePlot.” Software Studies Initiative, Calit2 and The Graduate Center, CUNY, lab.softwarestudies.com/p/imageplot.html#features1. Accessed 28 Mar. 2018.
Klein, Amanda Ann. American Film Cycles: Reframing Genres, Screening Social Problems, & Defining Subcultures. U Texas P, 2011.
“SameDiff.” DataBasic, MIT Center for Civic Media and Engagement Lab, databasic.io/en/samediff. Accessed 28 Mar. 2018.
Schatz, Thomas. “The Structural Influence: New Directions in Film Genre Study.” Quarterly Review of Film Studies, vol. 2, no. 3, August 1977, pp. 302–312.
Short, Sue. Misfit Sisters: Screen Horror as Female Rites of Passage. Palgrave Macmillan, 2006.
Ward, Sarah. “All of Them Witch: Individuality, Conformity, and the Occult on Screen.” Screen Education, no. 83, pp. 34-41.